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- <text id=93TT0958>
- <title>
- Jan. 25, 1993: Reviews:Music
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Jan. 25, 1993 Stand and Deliver: Bill Clinton
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS
- MUSIC, Page 66
- Broken Heartland
- </hdr>
- <body>
- <p>By CHRISTOPHER JOHN FARLEY
- </p>
- <qt>
- <l>PERFORMER: REBA MCENTIRE</l>
- <l>ALBUM: It's Your Call</l>
- <l>LABEL: MCA</l>
- </qt>
- <p> THE BOTTOM LINE: Call them relaxing or cathartic, these
- vocals from one of the best country singers linger in the mind.
- </p>
- <p> Country music at its worst is like Marlboro Country,
- peopled with pseudo cowboys in tight jeans, ten-gallon hats and
- boots made from cute animals. One senses a moral cancer beneath
- the surface: the all-American spirit of the music, far from
- including all Americans, actually seems a form of exclusion for
- people and issues. For years, the androgynous singer k.d. lang
- was locked out of main-stream country. Garth Brooks caught flak
- for a video that dared deal with domestic violence.
- </p>
- <p> Reba McEntire, 37, is part of country's continental drift.
- Shouldn't country music mean the whole country, after all? Like
- fellow Oklahoman Brooks, McEntire is making country music
- bigger, taking it higher. Her last album, 1991's mournful For
- My Broken Heart, sold more than 2 million copies, although one
- track dealt with euthanasia and another with a retirement home.
- </p>
- <p> "I find myself more relaxed with Reba coming over the
- airwaves," George Bush once wrote in an essay in Country America
- magazine. But McEntire isn't relaxing, she's cathartic. Her
- songs tend to be simple tales about someone who done her some
- wrong.
- </p>
- <p> On the title song, It's Your Call, McEntire's voice comes
- rolling in, a fogbank of joylessness. A mistress calls and a
- wife answers, handing the phone to her adulterous husband:
- "Yeah, I know all about it; don't act so surprised." The descent
- continues. On Will He Ever Go Away, McEntire deals with a love
- affair's ruins, asking, "Shouldn't I start living my life for
- myself?" She doesn't answer the question, letting it linger in
- the last twangs of the song.
- </p>
- <p> One can't help thinking that this sadness is informed by
- real pain. McEntire has been through divorce and remarriage.
- She has known true catastrophe: in 1991 seven members of her
- band were killed in a plane crash. Tragedy, when absorbed and
- reflected on, can give an artist depth. Some artists seek it,
- others have it thrust upon them. It's the difference between
- martyrdom and masochism--McEntire's scars are earned.
- </p>
- <p> But heartache is a cliche in country music. On this album
- McEntire adds something special: a sort of
- time-to-put-myself-first feminism. On her 1986 hit Whoever's in
- New England, she took on the persona of a still devoted
- housewife pining for her itinerant, philandering mate: "You'll
- always have a place to come back to, when whoever's in New
- England's through with you."
- </p>
- <p> That's courage of a kind. On her new album she explores
- its isotope: the courage to throw the bum out. On Take It Back, a
- song that rocks like the house band in a sports bar, she tells
- off a man with a cheatin' heart: "Tonight laying on the street/
- Babe, your bag is packed."
- </p>
- <p> It's Your Call is marred by unadventurous arrangements.
- McEntire is listed as a co-producer on the album; she should
- have been willing to shear away the instrumentation, tasteful
- as it is, and expose her voice and all the raw hurt it bears.
- Still, her singing transcends commonplace melodies to find the
- anguish between the words, behind the music. Even cowgirls get
- the blues, but McEntire's vibrant vocals seem to say there's
- hope in the deepest of doldrums. Reba's pure-country voice is
- a lariat across an abyss.
- </p>
-
- </body>
- </article>
- </text>
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